The film made a strong showing at the 2016 Austrian Film Award, with Gerti Drassl winning Best Female Supporting Role and Karina Ressler receiving a nomination for Best Editing. It also received Romy Academy Award nominations for Andrina Mračnikar (Best Director) and Alice Dwyer (Best Young Actress).
To bridge the geographic distance, Yann begins sending Hanna lettres filmées —poetic, artistic short video clips recorded on his iPhone. The relationship quickly intensifies when Yann unexpectedly relocates to Vienna, quitting his job to be with Hanna. However, the initial euphoria fades as Yann's deep-seated insecurities, explosive jealousy, and paranoia take root.
Ma Folie is the feature film debut of Austrian director Andrina Mračnikar, and it immediately established her as a talent to watch. Having studied film under the legendary—and famously precise—director Michael Haneke at the Filmakademie Wien, Mračnikar's meticulous, searing style is on full display.
However, the initial bliss quickly curdles. Yann’s intensity gives way to deep-seated insecurity, pathologically jealous outbursts, and a desperate need for control. When his suffocating distrust forces a breakup, Yann leaves Hanna's apartment—but he refuses to leave her life. The very smartphone video letters that once served as expressions of pure love transform into continuous, threatening instruments of psychological warfare. ma folie 2015
The keyword "ma folie" also appears across many other creative works. The 2015 film is one of several artistic expressions of this sentiment:
The film’s aesthetic is cold and clinical, yet intimate. The scenes, filmed in Vienna and Paris, often utilize long shots and natural light to create a sense of claustrophobia, emphasizing Hanna's entrapment in her own paranoia and deception.
Nearly a decade later, "Ma Folie" has aged remarkably well. Here is why it has endured: The film made a strong showing at the
A "long paper" or detailed analysis of this film typically focuses on the following: Genre Transformation
Mračnikar employs a visual language of "the uncanny." The line between reality and delusion is blurred not through flashy special effects, but through editing and sound design. The film often cuts abruptly between Hedi’s fantasies and the harsh reality, leaving the viewer disoriented. This technique effectively simulates the experience of psychosis; the audience is never quite sure what is real until the rug is pulled out from under them. The use of sound—minimalist and focused on diegetic noises like breathing, footsteps, and the rustling of flowers—heightens the tension, making the mundane sound threatening.
The story follows (Alice Dwyer), a young woman who falls deeply in love with Yann (Sabin Tambrea). Their relationship is initially defined by "lettres filmées"—short, poetic video letters Yann records on his iPhone and sends to Hanna to profess his devotion. the viewer shares her disorientation.
The terroir of Ma Folie is characterized by a mixture of limestone, clay, and iron-rich soils, which impart a mineral and slightly earthy flavor profile to the wine. The vineyard's eastern exposure also ensures that the grapes receive optimal sunlight and ripen slowly, allowing for a more even and complex development of flavors.
: The story follows Hanna (Alice Dwyer), who falls for Yann (Sabin Tambrea) after receiving poetic iPhone video-letters from him. What begins as a passionate romance shifts into a thriller as Yann’s deep-seated mistrust leads him to stalk Hanna via these same video messages, even after they separate. Key Themes Trust vs. Mistrust
As Hanna watches the videos to parse out real threats from imagined ones, the viewer shares her disorientation. The medium forces the audience to question the objective reality of the frame. Genre Deconstruction: The Haneke Influence